Showing posts with label great moments in history. Show all posts
Showing posts with label great moments in history. Show all posts

12 January 2011

mao tse tung ferver in his petty glance



NEW YORK (Reuters) – An Andy Warhol portrait of Mao Zedong that actor Dennis Hopper shot two bullets through sold for $302,500 (193,400 pounds) at Christie's on Tuesday, more than 10 times its high estimate.

The 1972 screenprint from Hopper's art collection is done in hues of mostly blues and greens, including a deep blue face for Mao, the founder of the modern communist state.

It had been had been estimated to sell for $20,000 to $30,000 at the two-day auction of hundreds of works from the actor's collection and personal memorabilia from his California home.

Mao was among Warhol's iconic subjects. Hopper's painting was unique because it included bullet holes fired after the notoriously wild actor got spooked and "mistook the portrait on his wall for Mao himself and shot at it," according to Christie's.

Hopper, who died of cancer last year aged 74, later showed Warhol the bullet holes, and the pair agreed to consider the work a collaboration. Warhol drew circles around the holes, labelling the one over Mao's right shoulder "warning shot" and the one at his upper left eyelid "bullet hole."

Another iconic Warhol screenprint from 1967 of Marilyn Monroe fetched $206,500, or about four times the pre-sale estimate.

Much of Hopper's most valuable art was sold in November during Christie's contemporary and post-war auction, raising more than $10 million for his estate.

The sale, which also included works by Annie Leibovitz, Marcel Duchamp, Helmut Newton as well as more Warhols, wraps up on Wednesday.

28 November 2010

'sex kitten' holds her own

HOWL

For Carl Solomon


I

I saw the best minds of my generation destroyed by madness, starving hysterical naked,

dragging themselves through the negro streets at dawn looking for an angry fix,

angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night,

who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of cold-water flats floating across the tops of cities contemplating jazz,

who bared their brains to Heaven under the El and saw Mohammedan angels staggering on tenement roofs illuminated,

who passed through universities with radiant eyes hallucinating Arkansas and Blake-light tragedy among the scholars of war,

who were expelled from the academies for crazy & publishing obscene odes on the windows of the skull,

who cowered in unshaven rooms in underwear, burning their money in wastebaskets and listening to the Terror through the wall,

who got busted in their pubic beards returning through Laredo with a belt of marijuana for New York,

who ate fire in paint hotels or drank turpentine in Paradise Alley, death, or purgatoried their torsos night after night

with dreams, with drugs, with waking nightmares, alcohol and cock and endless balls,

incomparable blind streets of shuddering cloud and lightning in the mind leaping towards poles of Canada & Paterson, illuminating all the motionless world of Time between,

Peyote solidities of halls, backyard green tree cemetery dawns, wine drunkenness over the rooftops, storefront boroughs of teahead joyride neon blinking traffic light, sun and moon and tree vibrations in the roaring winter dusks of Brooklyn, ashcan rantings and kind king light of mind,

who chained themselves to subways for the endless ride from Battery to holy Bronx on benzedrine until the noise of wheels and children brought them down shuddering mouth-wracked and battered bleak of brain all drained of brilliance in the drear light of Zoo,

who sank all night in submarine light of Bickford's floated out and sat through the stale beer afternoon in desolate Fugazzi's, listening to the crack of doom on the hydrogen jukebox,

who talked continuously seventy hours from park to pad to bar to Bellevue to museum to the Brooklyn Bridge,

a lost batallion of platonic conversationalists jumping down the stoops off fire escapes off windowsills off Empire State out of the moon

yacketayakking screaming vomiting whispering facts and memories and anecdotes and eyeball kicks and shocks of hospitals and jails and wars,

whole intellects disgorged in total recall for seven days and nights with brilliant eyes, meat for the Synagogue cast on the pavement,

who vanished into nowhere Zen New Jersey leaving a trail of ambiguous picture postcards of Atlantic City Hall,

suffering Eastern sweats and Tangerian bone-grindings and migraines of China under junk-withdrawal in Newark's bleak furnished room,

who wandered around and around at midnight in the railway yard wondering where to go, and went, leaving no broken hearts,

who lit cigarettes in boxcars boxcars boxcars racketing through snow toward lonesome farms in grandfather night,

who studied Plotinus Poe St John of the Cross telepathy and bop kabbalah because the universe instinctively vibrated at their feet in Kansas,

who loned it through the streets of Idaho seeking visionary indian angels who were visionary indian angels,

who thought they were only mad when Baltimore gleamed in supernatural ecstasy,

who jumped in limousines with the Chinaman of Oklahoma on the impulse of winter midnight streetlight smalltown rain,

who lounged hungry and lonesome through Houston seeking jazz or sex or soup, and followed the brilliant Spaniard to converse about America and Eternity, a hopeless task, and so took ship to Africa,

who disappeared into the volcanoes of Mexico leaving nothing behind but the shadow of dungarees and the larva and ash of poetry scattered in fireplace Chicago,

who reappeared on the West Coast investigating the FBI in beards and shorts with big pacifist eyes sexy in their dark skin passing out incomprehensible leaflets,

who burned cigarette holes in their arms protesting the narcotic tobacco haze of Capitalism, who distributed Supercommunist pamphlets in Union Square weeping and undressing while the sirens of Los Alamos wailed them down, and wailed down Wall, and the Staten Island ferry also wailed,

who broke down crying in white gymnasiums naked and trembling before the machinery of other skeletons,

who bit detectives in the neck and shrieked with delight in policecars for committing no crime but their own wild cooking pederasty and intoxication,

who howled on their knees in the subway and were dragged off the roof waving genitals and manuscripts,

who let themselves be fucked in the ass by saintly motorcyclists, and screamed with joy,

who blew and were blown by those human seraphim, the sailors, caresses of Atlantic and Caribbean love,

who balled in the morning in the evenings in rosegardens and the grass of public parks and cemeteries scattering their semen freely to whomever come who may,

who hiccuped endlessly trying to giggle but wound up with a sob behind a partition in a Turkish Bath when the blond & naked angel came to pierce them with a sword,

who lost their loveboys to the three old shrews of fate the one eyed shrew of the heterosexual dollar the one eyed shrew that winks out of the womb and the one eyed shrew that does nothing but sit on her ass and snip the intellectual golden threads of the craftsman's loom,

who copulated ecstatic and insatiate and fell off the bed, and continued along the floor and down the hall and ended fainting on the wall with a vision of ultimate cunt and come eluding the last gyzym of consciousness,

who sweetened the snatches of a million girls trembling in the sunset, and were red eyed in the morning but were prepared to sweeten the snatch of the sunrise, flashing buttocks under barns and naked in the lake,

who went out whoring through Colorado in myriad stolen night-cars, N.C., secret hero of these poems, cocksman and Adonis of Denver—joy to the memory of his innumerable lays of girls in empty lots & diner backyards, moviehouses' rickety rows, on mountaintops in caves or with gaunt waitresses in familiar roadside lonely petticoat upliftings & especially secret gas-station solipsisms of johns, & hometown alleys too,

who faded out in vast sordid movies, were shifted in dreams, woke on a sudden Manhattan, and picked themselves up out of basements hungover with heartless Tokay and horrors of Third Avenue iron dreams & stumbled to unemployment offices,

who walked all night with their shoes full of blood on the snowbank docks waiting for a door in the East River to open full of steamheat and opium,

who created great suicidal dramas on the appartment cliff-banks of the Hudson under the wartime blue floodlight of the moon & their heads shall be crowned with laurel in oblivion,

who ate the lamb stew of the imagination or digested the crab at the muddy bottom of the rivers of the Bowery,

who wept at the romance of the streets with their pushcarts full of onions and bad music,

who sat in boxes breathing in the darkness under the bridge, and rose up to build harpsichords in their lofts, who coughed on the sixth floor of Harlem crowned with flame under the tubercular sky surrounded by orange crates of theology,

who scribbled all night rocking and rolling over lofty incantations which in the yellow morning were stanzas of gibberish,

who cooked rotten animals lung heart feet tail borsht & tortillas dreaming of the pure vegetable kingdom,

who plunged themselves under meat trucks looking for an egg,

who threw their watches off the roof to cast their ballot for an Eternity outside of Time, & alarm clocks fell on their heads every day for the next decade,

who cut their wrists three times successively unsuccessfully, gave up and were forced to open antique stores where they thought they were growing old and cried,

who were burned alive in their innocent flannel suits on Madison Avenue amid blasts of leaden verse & the tanked-up clatter of the iron regiments of fashion & the nitroglycerine shrieks of the fairies of advertising & the mustard gas of sinister intelligent editors, or were run down by the drunken taxicabs of Absolute Reality,

who jumped off the Brooklyn Bridge this actually happened and walked away unknown and forgotten into the ghostly daze of Chinatown soup alleyways & firetrucks, not even one free beer,

who sang out of their windows in despair, fell out of the subway window, jumped in the filthy Passaic, leaped on negroes, cried all over the street, danced on broken wineglasses barefoot smashed phonograph records of nostalgic European 1930s German jazz finished the whiskey and threw up groaning into the bloody toilet, moans in their ears and the blast of colossal steamwhistles,

who barreled down the highways of the past journeying to each other's hotrod-Golgotha jail-solitude watch Birmingham jazz incarnation,

who drove crosscountry seventytwo hours to find out if I had a vision or you had a vision or he had a vision to find out Eternity,

who journeyed to Denver, who died in Denver, who came back to Denver & waited in vain, who watched over Denver & brooded & loned in Denver and finally went away to find out the Time, & now Denver is lonesome for her heroes,

who fell on their knees in hopeless cathedrals praying for each other's salvation and light and breasts, until the soul illuminated its hair for a second,

who crashed through their minds in jail waiting for impossible criminals with golden heads and the charm of reality in their hearts who sang sweet blues to Alcatraz,

who retired to Mexico to cultivate a habit, or Rocky Mount to tender Buddha or Tangiers to boys or Southern Pacific to the black locomotive or Harvard to Narcissus to Woodlawn to the daisychain or grave,

who demanded sanity trials accusing the radio of hypnotism & were left with their insanity & their hands & a hung jury,

who threw potato salad at CCNY lecturerson Dadaism and subsequently presented themselves on the granite steps of the madhouse with the shaven heads and harlequin speech of suicide, demanding instantaneous lobotomy,

and who were given instead the concrete void of insulin Metrazol electricity hydrotherapy psychotherapy occupational therapy pingpong & amnesia,

who in humorless protest overturned only one symbolic pingpong table, resting briefly in catatonia,

returning years later truly bald except for a wig of blood, and tears and fingers, to the visible madman doom of the wards of the madtowns of the East,

Pilgrim State's Rockland's and Greystone's foetid halls, bickering with the echoes of the soul, rocking and rolling in the midnight solitude-bench dolmen-realms of love, dream of life a nightmare, bodies turned to stone as heavy as the moon,

with mother finally *****, and the last fantastic book flung out of the tenement window, and the last door closed at 4 A.M. and the last telephone slammed at the wall in reply and the last furnished room emptied down to the last piece of mental furniture, a yellow paper rose twisted on a wire hanger on the closet, and even that imaginary, nothing but a hopeful little bit of hallucination—

ah, Carl, while you are not safe I am not safe, and now you're really in the total animal soup of time—

and who therefore ran through the icy streets obsessed with a sudden flash of the alchemy of the use of the ellipse the catalog the meter & the vibrating plane,

who dreamt and made incarnate gaps in Time & Space through images juxtaposed, and trapped the archangel of the soulbetween 2 visual images and joined the elemental verbs and set the noun and dash of consciousness together jumping with sensation of Pater Omnipotens Aeterna Deus

to recreate the syntax and measure of poor human prose and stand before you speechless and intelligent and shaking with shame, rejected yet confessing out the soul to conform to the rhythm of thought in his naked and endless head,

the madman bum and angel beat in Time, unknown, yet putting down here what might be left to say in time come after death,

and rose incarnate in the ghostly clothes of jazz in the goldhorn shadow of the band and blew the suffering of America's naked mind for love into an eli eli lamma lamma sabacthani saxophone cry that shivered the cities down to the last radio

with the absolute heart of the poem butchered out of their own bodies good to eat a thousand years.


II

What sphinx of cement and aluminium bashed open their skulls and ate up their brains and imagination?

Moloch! Solitude! Filth! Ugliness! Ashcans and unobtainable dollars! Children screaming under the stairways! Boys sobbing in armies! Old men weeping in the parks!

Moloch! Moloch! Nightmare of Moloch! Moloch the loveless! Mental Moloch! Moloch the heavy judger of men!

Moloch the incomprehensible prison! Moloch the crossbone soulless jailhouse and Congress of sorrows! Moloch whose buildings are judgement! Moloch the vast stone of war! Moloch the stunned governments!

Moloch whose mind is pure machinery! Moloch whose blood is running money! Moloch whose fingers are ten armies! Moloch whose breast is a cannibal dynamo! Moloch whose ear is a smoking tomb!

Moloch whose eyes are a thousand blind windows! Moloch whose skyscrapers stand in the long streets like endless Jehovas! Moloch whose factories dream and choke in the fog! Moloch whose smokestacks and antennae crown the cities!

Moloch whose love is endless oil and stone! Moloch whose soul is electricity and banks! Moloch whose poverty is the specter of genius! Moloch whose fate is a cloud of sexless hydrogen! Moloch whose name is the Mind!

Moloch in whom I sit lonely! Moloch in whom I dream angels! Crazy in Moloch! Cocksucker in Moloch! Lacklove and manless in Moloch!

Moloch who entered my soul early! Moloch in whom I am a consciousness without a body! Moloch who frightened me out of my natural ecstasy! Moloch whom I abandon! Wake up in Moloch! Light streaming out of the sky!

Moloch! Moloch! Robot apartments! invisable suburbs! skeleton treasuries! blind capitals! demonic industries! spectral nations! invincible madhouses! granite cocks! monstrous bombs!

They broke their backs lifting Moloch to Heaven! Pavements, trees, radios, tons! lifting the city to Heaven which exists and is everywhere about us!

Visions! omens! hallucinations! miracles! ecstacies! gone down the American river!

Dreams! adorations! illuminations! religions! the whole boatload of sensitive bullshit!

Breakthroughs! over the river! flips and crucifixions! gone down the flood! Highs! Epiphanies! Despairs! Ten years' animal screams and suicides! Minds! New loves! Mad generation! down on the rocks of Time!

Real holy laughter in the river! They saw it all! the wild eyes! the holy yells! They bade farewell! They jumped off the roof! to solitude! waving! carrying flowers! Down to the river! into the street!


III

Carl Solomon! I'm with you in Rockland

where you're madder than I am

I'm with you in Rockland

where you must feel strange

I'm with you in Rockland

where you imitate the shade of my mother

I'm with you in Rockland

where you've murdered your twelve secretaries

I'm with you in Rockland

where you laugh at this invisible humour

I'm with you in Rockland

where we are great writers on the same dreadful typewriter

I'm with you in Rockland

where your condition has become serious and is reported on the radio

I'm with you in Rockland

where the faculties of the skull no longer admit the worms of the senses

I'm with you in Rockland

where you drink the tea of the breasts of the spinsters of Utica

I'm with you in Rockland

where you pun on the bodies of your nurses the harpies of the Bronx

I'm with you in Rockland

where you scream in a straightjacket that you're losing the game of actual pingpong of the abyss

I'm with you in Rockland

where you bang on the catatonic piano the soul is innocent and immortal it should never die ungodly in an armed madhouse

I'm with you in Rockland

where fifty more shocks will never return your soul to its body again from its pilgrimage to a cross in the void

I'm with you in Rockland

where you accuse your doctors of insanity and plot the Hebrew socialist revolution against the fascist national Golgotha

I'm with you in Rockland

where you will split the heavens of Long Island and resurrect your living human Jesus from the superhuman tomb

I'm with you in Rockland

where there are twentyfive thousand mad comrades all together singing the final stanzas of the Internationale

I'm with you in Rockland

where we hug and kiss the United States under our bedsheets the United States that coughs all night and won't let us sleep

I'm with you in Rockland

where we wake up electrified out of the coma by our own souls' airplanes roaring over the roof they've come to drop angelic bombs the hospital illuminates itself imaginary walls collapse O skinny legions run outside O starry-spangled shock of mercy the eternal war is here O victory forget your underwear we're free

I'm with you in Rockland

in my dreams you walk dripping from a sea-journey on the highway across America in tears to the door of my cottage in the Western night


Allen Ginsberg (1926-1997)

23 November 2010

Your girlfriend is really beautiful...did you know she's a bird?



“Runaway”, the album’s emotional center, debuted at this year’s VMA’s, where it served as a subtle retort to Taylor Swift’s condescending and much hyped “I-Forgive-Kanye” moment. Kanye is one of the great innovators of the sung-rap-song movement that has dominated urban radio the last few years, but here he takes it to new extremes. Built on a heartbreakingly lonely piano loop, the song finds Kanye bemoaning his personality flaws and features a tight verse from Clipse MC Pusha T. But what sets it apart is the false ending. Well past the five minute mark the music gives way, only to return with that same piano loop and Kanye West going bananas with his vocoder for about four minutes.

09 July 2010

Lohan, 23, wore a black top, black pants and sunglasses when she arrived at court early for a hearing that could end up with her in jail.



Lindsay Lohan sentenced to 90 days in jail for violating probation

By Alan Duke, CNN

STORY HIGHLIGHTS
NEW: Lindsay Lohan gets 90 days in jail for missing alcohol counseling sessions
NEW: Lohan sobs in court: "I did do everything that I was told to do and did the best I could"
Report said Lohan used "very creative excuses" for missed sessions

Los Angeles, California (CNN) -- Actress Lindsay Lohan was ordered Tuesday to serve 90 days in jail for missing alcohol counseling sessions in violation of her probation.

The judge also ordered Lohan to spend 90 days in a drug and alcohol rehab program after her jail term is completed.

The actress must begin serving her sentence on July 20, Los Angeles County Superior Court Judge Marsha Revel said.

After Revel ruled that Lohan had violated her probation in a 2007 drunken driving conviction by missing weekly alcohol counseling sessions, Lohan began sobbing as she addressed the court. "I did do everthing that I was told to do and did the best I could," she said.

Earlier, the alcohol counseling program director testified at the probation revocation hearing that Lohan missed nine alcohol counseling sessions since December, when the judge ordered her to attend weekly classes or face jail.

Lohan has apparently not missed a weekly counseling session since May 20, when Revel ruled that there was "probable cause to believe [Lohan] is in violation of probation" from a 2007 drunken driving conviction.

Lohan was ordered not to drink alcohol and an electronic bracelet was fitted on her leg on May 24 to detect if she did.

The SCRAM bracelet measured an alcohol level of 0.03 percent in the actress' body at midnight on June 7, but reported a zero reading four hours later, Revel said during Tuesday's hearing. The alert would be a bond violation, but not a probation violation, she said.

Revel said she would consider only if Lohan missed weekly alcohol counseling sessions, as Revel ordered in December.


Cheryl Marshall, the director of the Right On program where Lohan has been attending counseling, testified Tuesday morning that Lohan would sometimes call ahead when she was going to miss a weekly session.

A report from the program to the judge said Lohan "kept making up creative excuses" about her absences, prosecutor Danette Meyers said.

Lohan's father, Michael Lohan, was in court for the hearing. The judge denied him a chance to speak, although she did accept a letter from him. Michael Lohan has been calling for the court to order his daughter into alcohol and drug rehab.

24 June 2010

May 35th Massacre



Tian'anmen Square (simplified Chinese: 天安门广场; traditional Chinese: 天安門廣場; pinyin: Tiān'ānmén Guǎngchǎng, Mandarin pronunciation: [tʰjɛn˥˥an˥˥mən˧˥]) is the large plaza near the center of Beijing, China, named after the Tiananmen (literally, Gate of Heavenly Peace) which sits to its north, separating it from the Forbidden City. It has great cultural significance as it was the site of several key events in Chinese history.

The Tiananmen Square is the largest city square in the world (440,000 m² - 880 m by 500 m) . It has been the site of many events, among them a gathering of pro-democracy protesters in 1989. The protest ended when hundreds of these protesters were killed by government troops in the streets leading from the square.

24 April 2010

A woman is like a teabag...



Lindsay Lohan Fired from New Film for Not Being 'Bankable'; Movie Called The Other Side

By Ryan Christopher DeVault

Lindsay Lohan was fired from the new movie The Other Side
according to TMZ. The reason to fire Lindsay Lohan seems to have stemmed from their belief that Lohan is no longer a "bankable" movie star. It's definitely a plausible argument, and with all of the negative press that Lohan has been bringing herself lately, it's also nothing that any new film would want to associate with. It's been quite a while since Lohan was involved with anything that could be considered a success, with her last success considered to be Herbie Fully Loaded. That film only made $66 million in theaters though, coming from a script that the studio had been hoping would easily pass the $100 million threshold.
The recent years for Lindsay Lohan in Hollywood have just seemed to be a long line of bad decisions, both in film as well as in her personal life. She was paid $7.5 million to star in 2006's Just My Luck, but the film only made $17.3 million in U.S. box office receipts. Then there was I Know Who Killed Me, which only made $7.23 million in the U.S. She also failed to bring a strong audience to Georgia Rule, which brought in $18.9 million, and ran her total to just under $44 million combined in box office totals for her last three major films. It's not a great number with the rising cost of putting together a Hollywood picture, and had to be a strong consideration behind dropping her from this new film. The Other Sidehas quite a few recognizable names associated with the film already, including Woody Harrelson, Jason Lee, and Anjelica Houston. Billed as an adventure comedy, the film seems like one banking on a supporting cast that could work well together. The pitfalls of including someone in that mixture that is having legal problems can kill the bottom line for a film, and it seems that the producers no longer wanted to hitch their trailer to Lindsay Lohan. If she can't hold down a supporting role like this, it could quite possibly lead to the end of her acting career in movies. She had seemed to be the next big thing five years ago, but this could be the flame out that people were predicting.

25 March 2010

The Moon



One of those astronauts, Buzz Aldrin had this to say about what it felt like to be on the moon:

"For Christ's sake. I don't know. I just don't know. I have been frustrated since the day I left the Moon by that question."

And I think it's gonna be a long long time...



Von Braun, Wernher Magnus Maximilian (1912-1977)

One of the most important rocket developers and champions of space exploration from the 1930s to the 1970s, and the son of a baron. Von Braun's enthusiasm for the possibilities of space travel was kindled early on by reading the fiction of Jules
Verne and H. G. Wells, and the technical writings of Hermann Oberth. It was Oberth's 1923 classic Die Rakete zu den Planetenräumen (By Rocket to Space) that prompted the young von Braun to master the calculus and trigonometry he needed to understand the physics of rocketry.

At age 17, von Braun became involved with the German rocket society, Verein für Raumschiffahrt (VfR), and in November 1932 signed a contract with the Reichswehr to conduct research leading to the development of rockets as military weapons. In this capacity, he worked for Captain (later, Major General) Walter Dornberger – an association that would last for over a decade. In the same year, under an Army grant, von Braun enrolled at the Friedrich-Wilhelm-Universität from which he graduated two years later with a Ph.D. in physics; his dissertation dealt with the theoretical and practical problems of liquid-propellant rocket engines.

Some of von Braun's colleagues from the VfR days joined him in developing rockets for the German army. By 1935, he and his team, now 80 strong, were regularly firing liquid-fueled engines at
Kummersdorf with great success. Following the move to Peenemünde, von Braun found himself in charge of the A-4/V-2 project. Less than a year after the first successful A-4 launch and following a British bombing raid on Peenemünde, mass production of the V-2 was switched to an underground factory in central Germany. Von Braun remained at Peenemünde to continue testing.

In mid-March 1944, von Braun was arrested by the Gestapo and imprisoned in Stettin. The alleged crime was that he had declared greater interest in developing the V-2 for space travel rather than as a weapon. Also, since von Braun was a pilot who regularly flew his government-provided airplane, it was suggested that he was planning to escape to the Allies with V-2 secrets. Only through the personal intervention of Munitions and Armaments Minister Albert Speer was von Braun released.

When, by the beginning of 1945, it became obvious to von Braun that Germany was on the verge of defeat, he began planning for the postwar era. Before the Allied capture of the V-2 rocket complex, von Braun engineered the surrender to the Americans of scores of his top rocket scientists, along with plans and test vehicles. As part of a military plan called
Operation Paperclip, he and his rocket team were whisked away from defeated Germany and installed at Fort Bliss, Texas. There they worked on rockets for the US Army, launching them at White Sands Proving Ground.

In 1950 von Braun's team moved to the
Redstone Arsenal near Huntsville, Alabama, where it built the Army's Jupiter ballistic missile. In 1960, von Braun's rocket development center transferred from the Army to the newly established NASA and received a mandate to build the giant Saturn rockets. Von Braun was appointed director of the Marshall Space Flight Center and chief architect of the Saturn V. He also became one of the most prominent advocates of space exploration in the United States during the 1950s. In 1970, he was invited to move to Washington, D.C., to head NASA's strategic planning effort but less than two years later, feeling that the US government was no longer sufficiently committed to space exploration, he retired from the agency and joined Fairchild Industries of Germantown, Maryland.

Like many of his fellow German rocket scientists and science-fiction writers of the time, von Braun believed that an orbiting
space station was a crucial first step toward manned interplanetary travel. In the March 22, 1952 issue of Collier's magazine (see Collier's space program), von Braun and other scientists contributed articles describing and advocating construction of an American space station. Illustrated by space artist Chesley Bonestell and others, this issue publicized the wheel- or doughnut-shaped design that became the most popular image of the space station. Later it was memorably depicted as Space Station V in Stanley Kubrick's film 2001: A Space Odyssey (1968).

21 February 2010

Is the universe a friendly place?



When asked by a reporter something like :"What, in your opinion is the most important question facing humanity today?" Einstein thought for a bit then replied, "I think the most important question facing humanity is, 'Is the universe a friendly place?' This is the first and most basic question all people must answer for themselves.

"For if we decide that the universe is an unfriendly place, then we will use our technology, our scientific discoveries and our natural resources to achieve safety and power by creating bigger walls to keep out the unfriendliness and bigger weapons to destroy all that which is unfriendly�and I believe that we are getting to a place where technology is powerful enough that we may either completely isolate or destroy ourselves as well in this process.

"If we decide that the universe is neither friendly nor unfriendly and that God is essentially 'playing dice with the universe', then we are simply victims to the random toss of the dice and our lives have no real purpose or meaning.

"But if we decide that the universe is a friendly place, then we will use our technology, our scientific discoveries and our natural resources to create tools and models for understanding that universe. Because power and safety will come through understanding its workings and its motives."

-Albert Einstein

17 February 2010

Frederick Douglass



"Where justice is denied, where poverty is enforced, where ignorance prevails, and where any one class is made to feel that society is an organized conspiracy to oppress, rob and degrade them, neither persons nor property will be safe."

"Power concedes nothing without a demand. It never did and it never will."

— Frederick Douglass

05 February 2010

I fear the monkey in your soul


I got one and you want four
It's so hard to help you
I can't keep up with you no more
And you treat me like it's a sin
But you can't lock me in
You want me here with you right to the end
No thank you my friend
I fear the monkey in your soul

Won't you turn that bebop down
I can't hear my heart beat
Where's that fatback chord I found?
Honey don't you think it was wrong
To interrupt my song?
I'll pack my things and run so far from here
Goodbye dear

I fear the monkey in your soul

29 October 2009

Coltrane & Hartman - Autumn Serenade


John Coltrane and Johnny Hartman, a 1963 studio album featuring John Coltrane and Johnny Hartman.

Each song was done in only one take, except for "You Are Too Beautiful", which required two takes because Elvin Jones dropped one of his drumsticks during the first take.